![premiere pro cc no audio premiere pro cc no audio](https://i.ytimg.com/vi/-bkjt3vQ13w/maxresdefault.jpg)
Repeat this process with another track (in our example, the dialog). By default, Premiere Pro adds a keyframe as soon as you switch the Automation mode back to Read, returning the property to its setting before you started adjusting. That was when we quit making adjustments.
![premiere pro cc no audio premiere pro cc no audio](https://i.imgur.com/WjabT40.png)
To see them, twirl down the music track in the Timeline (if it isn’t already), click the Show Keyframes icon, and select the Show Track Keyframes option. While you were in Write mode, Premiere Pro added keyframes in the Timeline. This ensures that you don’t accidentally record more changes to the volume during subsequent playbacks when you’re just previewing the audio. When you’re finished making adjustments, immediately set the Automation Mode back to Read (the default). In this example, we pressed the Spacebar again to pause playback after about 34 seconds. This time, when you pause while you’re making adjustments, the rest of the track will stay at your new ending volume level, which is what we want.
![premiere pro cc no audio premiere pro cc no audio](https://i.ytimg.com/vi/9TAlYNpxTRE/mqdefault.jpg)
With the Switch to Touch after Write option disabled, return the Current Time Indicator (CTI) to the beginning of the sequence, set the Automation Mode back to Write, press Play, and remake your adjustments. That’s why our audio jumped back to zero. Touch mode records a keyframe when you pause playback, and that keyframe always returns the property to whatever value it was before you started adjusting it.
![premiere pro cc no audio premiere pro cc no audio](https://s3.amazonaws.com/pbblogassets/uploads/2013/07/Screen-Shot-2013-07-21-at-10.15.02-AM.png)
When this option is on, the Automation mode switches from Write to Touch when you press the Spacebar to pause playback. So via the Audio Mixer flyout menu, turn off the Switch to Touch after Write option. Notice the volume slider jumps back to zero when you continue playback. At some point, press the Spacebar to pause playback and then press it again to continue. While listening to the audio, drag the slider up and down, raising and lowering the volume, as appropriate. Hit the Spacebar to start playing (you can also click the Play/Stop Toggle icon at the bottom of the Audio Mixer panel). Note that the volume slider is currently at zero. To record volume changes in real time while listening to the sequence, set the Automation Mode for the Audio 1 track to Write in the Audio Mixer panel. This isn’t as simple as lowering the volume because we want the music to fade and swell at various times during the sequence. Our first task is to set new levels for the music track. This Workspace includes the Audio Mixer-the perfect tool for the changes we want to make. At times, the music and ambiance drown out the dialog at other times, the dialog is a bit too loud.Īs the first step in remixing the audio, switch to the Audio Workspace by choosing Window>Workspace>Audio from the menu. On preview, we notice that some of the audio levels are a bit off. In this example we have added three tracks of audio to our sequence: music, ambiance, and dialog. To use this technique, you have to understand the various Automation Modes. Premiere Pro will record those adjustments as keyframes in the Timeline. This means you can make adjustments to volume (and other audio properties) while your sequence is playing. A little-known fact about Premiere Pro is that it contains a live Audio Mixer.